Oh, the early days of PSP. When everyone thought it would insta-bomb, and game developers were actually making games for it. This was far before the game drought we Sony handheld gamers find ourselves in now, and before industry heads realized that no one was buying their movies on UMD. Here we find Daxter, made by now famous PSP developers Ready at Dawn, known for their God of War games.
Daxter takes place in the last few months before Daxter actually rescues Jak from Baron Praxis' laboratory. For those who didn't play Jak II, it takes two years from Daxter's quick getaway (along with the line "I'll rescue you in no time!") to Jak's escape, for comedic effect and to explain how Jak had changed so much from game one to game two. Now, the original speculation was that Daxter was hard at work trying to figure out a way to get his bestest best buddy out of the slammer, and Praxis' facility was just so hard to sneak into that it took two whole years for Daxter to figure out a way in. In this game, however, it is shown to us that our main character this time around completely forgot about saving his friend and was content to spend the rest of his days just going to bars and telling tall tales. This makes him go from plucky comic relief to complete jerk-ass who just waits around for something to hapen to him. Hell, our in to playing the game is a guy Daxter ran into just after escaping. The beginning of this story would make much more sense if it took place a couple of weeks after Daxter's separation instead of over a year and a half. Anyway, Daxter finds a job as an exterminator killing all sorts of bugs, but especially the Metal Heads- I'm sorry, "larger bugs". There's no way around it though, these enemies are the Metal Heads from Jak II, just on a smaller scale to match Daxter's. They have the same pointy design and the same golden eggs in their skulls as the Metal Heads, but they can't call them Metal Heads, because that would make no sense in-universe. I mean, if the Metal Heads had been able to infest the entire city with these bugs, they would have taken over already. So why have the Metal Head orbs then? Why not make it something else? Like a pod from the thorax?
I'm getting picky though. The game is fun and lets you travel through a good portion of Haven City, and some outlying areas like an eco mine and the shipyard. Daxter is armed with an electric flyswatter (more powerful than it sounds) and a bug gasser that runs on green eco... at least it looks like green eco. It's some sort of fuel for the device on his back that can also be lit on fire to create a flame thrower and some how pressurized to form sonic blasts (again, I have no idea how it works, but it knocks back enemies just fine, so I'll just stop). But again, if you're going to use something that looks like something that has already been in the series, just make it that thing or make it look different. It's not that hard! And it doesn't confuse us fans any further than it has to. (Deep breaths here, it's going to be okay) The device can be used as a regular spray device or as a sort of jet-pack to propel Daxter through the air.
There's a set of minigames that start up after each day when Daxter goes to sleep based on various popular movies like The Matrix, Lord of the Rings and Braveheart. These add a little variety to the game, but quickly become boring and tedious to the point where you don't care if you get the gold trophy, you just want to get back to playing an actual game.
It's definitely a fun game (frustrating design choices aside), but has little replay value other than collecting all the Precursor Orbs around the game to unlock little secret movies.
6/10
Sunday, October 31, 2010
God of War! PSP!
Yes, a new God of War is coming to the PSP and once again, it comes in a bundle with a PSP as bad ass as Kratos himself. The design is two tone with the facebuttons, shoulders and back being red, and the front, home buttons and stick being black. My current PSP is the original God of War one, but with the wear and tear it's gone through, I've been looking to get a new one. This has just given me a good reason to switch up. The only problem is that unlike the previous one, there isn't Kratos's glaring visage on the back. Oh well. Can't have everything, but what we can get will kick ass.
video from qj.com, picture from gamingbits.com
Finally, our Agito Fantasy feels real again
After over a year without any news or updates, Square Enix has finally unveiled a trailer for both of their unreleased Fabula Nova Crystalis games: Agito and Versus. Now because of my love and anticipation for this game, I'm just going to cover the short 30 second Agito portion, but already, I'm giddy with excitement to have this game come out. From what we know of the story, it sounds like if the gang from Red Dawn were stuck in Helm's Deep with Organization XIII's weapons. Confused? Then let me clear it up. The nation of Milites is invading (get it? Milites? Militant?) the rest of the world and is ready to take over the Peristerium School of Magic, when twelve students rise up, each armed with a different weapon and summon, and fend off the invading forces. The game has already been toted as an online game, meaning you should be able to play with friends outside of the same room (finally!) and be able to customize your character's traits. Here's hoping it's not all for nothing.
Final Fantasy Agito XIII TGS Trailer - MyVideo
Video from gamrfeed.vgchartz.com
Final Fantasy Agito XIII TGS Trailer - MyVideo
Video from gamrfeed.vgchartz.com
Walk and talk and play
Well, well, well, the news is here and we finally have pictures! Sony is setting to release a PSP Phone to combat Apple's hold on the phone+gaming market. I personally think this would be a major step forward for them, seeing as how unlike Nokia's N-Gage try at this, Sony has both Sony Computer Entertainment for the gaming side of the equation, and their partnership Sony Ericsson's knowledge of how to make a phone work. Now, this should be the PSP 2 we've been hearing about (see the Mortal Kombat devs slip up for that), and the one big thing to notice is the touchpad at the center. It has two dots that, hopefully in answering our prayers, means there's a 2 analog stick system expy for this. What does this mean for the future? It means awesomeness. I'll try to get my hands on one as soon as possible, and find out what cell service I'll have to get to make it actually work.
For more details on the device, go to engaget's page.
Saturday, October 30, 2010
Kingdom Hearts: Birth By Sleep - Review
Ah, Tetsuya Nomura's fan fiction epic, Kingdom Hearts.
It's been eight years since the two media behemoths, Disney and Square Enix (back when it was still SquareSoft) teamed up to create an ingenious tale of a lost boy trying to find his way through unfamiliar worlds, science experiments, and his own heart. It was a cultural phenomenon and has since spawned a set up game, a sequel, an interquel, and a canon mobile game. The new PSP iteration does not disappoint.
The story follows three keyblade wielders in their quests to find something. For the older, troubled Terra, it's to find the recently disappeared Master Xehanort (voice of Leonard Nemoy), for the younger optemistic Ventus, who looks suspiciously like series regular Roxas, it's to find Terra, and for the only female of the trio, as well as the only one to receive the Mark of Mastery, Aqua, it's to find all three. You play through as each character separately, with a Sonic Adventure styled end section after completing all three, and trust me, you'll want to complete all three. The finale's of all four sections are well worth the game time and give you a sense of accomplishment and awe for completing them, adding to the already established mythos, and giving a small hint of things to come in the next adventure.
Thankfully, there are not as many recycled worlds in this game as previous ones. Yes, Olympus Colosseum is still around and Hollow Bastion makes an appearance as it's once beautiful Radiant Garden, but everything else is more or less new. My Disney nostalgia was peaked when I learned the first three worlds visited were going to be based on Snow White, Cinderella, and Sleeping Beauty. While these aren't my favorite films, it at least shows that the gang over at Square Enix is open to using older Disney movies like Sword in the Stone, Jungle Book and Robin Hood (you know, that one with all the animals that started up the Hamster dance). The intro to Lilo & Stitch is also used, with interesting gravity effects, but all of the rooms feel too similar to eachother. I guess this makes sense as it's a space ship, but still a little more variety would be a bit appreciated. This is not to say it's a bad world, that honor goes to Disney Town. It's only purpose is to be a mini-game hub with some extra prizes that aren't all that worth the tediousness of the games themselves. Keyblade Graveyard and Destiny Islands also make returns, if only at the end for a boss fight and quick cameo respectively.
Gameplay is fast and frantic, just like a Kingdom Hearts game should be, with a new way of using special moves. In previous games, the Command Board was used to select anything you had that was available to you, with lots of unwanted spells, items and whatnot taking up space and wasting time. In this game, X is always "Attack" (unless it's "Save"), with triangle being used to select the command needed from a set of at max eight commands. While this sounds restrictive, it's really not. There is no MP bar, so you can use every command to your heart's content... as long as it's recharged. I myself only really used Curaga and Thundaga in all of my Command Decks, with additional commands to activate certain Command Styles. What are those you may ask? Command Styles are one of three new additions to Kingdom Hearts combat present in Birth By Sleep. You see, up above your Command Board is a Command Bar, and when that fills up, one of two things happen: if you haven't done anything special, a regular finishing attack will replace your Attack command and you'll deal more damage, or if you do something a bit different, like use a Thunder command of some sort while it's charging, you'll go into a Thunder-themed Command Style, which gives all of your attacks a Thunder damage modifier to them, so long as the Command Bar is still filling up. This along with the D-Links that allow you to use moves relating to characters you meet like Cinderella, Stitch (here still called Experiment 626), and Zack from FF VII, make combat a fun and hectic experience that rivals console gaming experiences. The one new thing in this game that seems like a waste is the Combat Lock. By pressing down both triggers, it sends you into a first person view and lets you lock onto several enemies before allowing you to unleash a mindblowing attack. The problem is this feels so distanced from the way all other combat works, because for it to be effective, you need to be far from your opponent, when all other battle techniques call for you to be close. It's awkward and I myself only used it to see what the new ones looked like.
Now, not so much a combat feature, but a new way to build your character is by merging commands to make new ones. Sure, you can buy your commands from a Moogle Shop, or find them in chests, but the best way to maximize your capabilities is to experiment with what goes with what to what end. In order to combine commands, they must be fully leveled, which comes from battles, and then they must be compatible with at least one of the other fully leveled commands you have. From there you mash the two together and have the opportunity to add in a crystal of some sort. This is where your passive abilities come in. Where as in other Kingdom Hearts games, you learned abilities as you leveled up, and then assigned them based on your ability points, this game gives you abilities that are associated with what new command you have and what crystal you attached to it. Like attaching one kind of crystal to your new Fira may give you a boost in fire damage, but if you were to choose a different one it may have your Magic commands charge back up faster. Each crystal has labeled on it a general idea of what ability you'll attach to this particular command, so it's not wild guessing, but still gives you a bit of anticipation to see if that third Jackpot you need will be there or will it be another useless Item Boost. And once you fully level a command with an ability, the ability is yours to keep, no matter what happens to the original command.
Actually, the more I think about it, the more this reminds me of a certain other PSP game Square Enix made that was a prequel about a guy with a weird cowlick where you combined different spells together to get new ones... you know, the one that was terribly mediocre and served no purpose other than fan service? For those of you who have absolutely no idea what I'm talking about, Final Fantasy VII: Crisis Core was a game for the PSP by Square Enix that- Oh, I'm not going to say it again. Birth By Sleep feels like it was Crisis Core done right. The game still felt like the game it was following, the controls were given a much needed revamp, and it had a story actually worth paying attention to. Ultimately, this is almost an apology for Zack Fair's romp, and hell, he's even in this game for a short time and one of the best D-Links to use!
Now, I'm not going to say this is a perfect game. The "new" enemies are almost exactly the same as the Heartless gameplay wise. The Unversed as they're called, are deep blue angular versions of our favorite misnamed enemies. (The Heartless have hearts, for those who didn't know) This isn't a bad thing, but just feels like an excuse. I mean, the things are supposed to be the manifestations of our discomfort in our current surroundings, and it turns out to all come from one guy. One guy! The Heartless were something that could turn anyone, it was a universal plague brought on by our greed, hate, and other such emotions. The Unversed have the same perforation and it's all because of one guy that doesn't like his place in the universe.
And while there are a lot of great performances throughout the game by the cast, two stand out as not really giving their all: Terra and Aqua. Now, while Terra you can blame on his brooding confused nature, Aqua sounds like she's going to fall asleep at any second. I know I was when I heard her talking. Thankfully, Mark Hammil and Leonard Nemoy steal the show as Masters Eraquis and Xehanort, the latter of both going on my top list of villain performances. He's not deliciously evil or sympathetically evil, but when you hear Spock's gravelly voice paired with the character's signature hand movement, you know this is not a good guy. What really surprised me was that Jesse McCartney was not that bad in this game. I really don't like Roxas after he wasted three hours of my life in the intro of Kingdom Hearts II, but here, McCartney gives us a high spirited kid surrounded by trouble. Which is very similar to our regular protagonist, Sora, but different enough that you don't care about the similarities.
The only problem with actually picking this game up is that this is not available on the PSN store, presumably for storage space reasons. This means those who own a PSP Go cannot play this game, and quite a few people have been angered by this. Oh well. Sony is just screwing themselves over once more with this.
All in all, this game is great. A balanced combat system, an interesting story, and actual plot development towards the series' future gives this game a head-up on others in a similar vein. If you've never played Kingdom Hearts before, this is a good place to start. While starting with my personal favorite, the first one, is preferred, and there are a lot of little cameos and little "see? this is how this happened" moments, they aren't enough to bog down the game or make it inaccessible to newcomers. There's not really any replay value for playing all three campaigns and the secret ending again, but with over 60 hours of gameplay, this is a must have for any PSP owner.
8/10
It's been eight years since the two media behemoths, Disney and Square Enix (back when it was still SquareSoft) teamed up to create an ingenious tale of a lost boy trying to find his way through unfamiliar worlds, science experiments, and his own heart. It was a cultural phenomenon and has since spawned a set up game, a sequel, an interquel, and a canon mobile game. The new PSP iteration does not disappoint.
The story follows three keyblade wielders in their quests to find something. For the older, troubled Terra, it's to find the recently disappeared Master Xehanort (voice of Leonard Nemoy), for the younger optemistic Ventus, who looks suspiciously like series regular Roxas, it's to find Terra, and for the only female of the trio, as well as the only one to receive the Mark of Mastery, Aqua, it's to find all three. You play through as each character separately, with a Sonic Adventure styled end section after completing all three, and trust me, you'll want to complete all three. The finale's of all four sections are well worth the game time and give you a sense of accomplishment and awe for completing them, adding to the already established mythos, and giving a small hint of things to come in the next adventure.
Thankfully, there are not as many recycled worlds in this game as previous ones. Yes, Olympus Colosseum is still around and Hollow Bastion makes an appearance as it's once beautiful Radiant Garden, but everything else is more or less new. My Disney nostalgia was peaked when I learned the first three worlds visited were going to be based on Snow White, Cinderella, and Sleeping Beauty. While these aren't my favorite films, it at least shows that the gang over at Square Enix is open to using older Disney movies like Sword in the Stone, Jungle Book and Robin Hood (you know, that one with all the animals that started up the Hamster dance). The intro to Lilo & Stitch is also used, with interesting gravity effects, but all of the rooms feel too similar to eachother. I guess this makes sense as it's a space ship, but still a little more variety would be a bit appreciated. This is not to say it's a bad world, that honor goes to Disney Town. It's only purpose is to be a mini-game hub with some extra prizes that aren't all that worth the tediousness of the games themselves. Keyblade Graveyard and Destiny Islands also make returns, if only at the end for a boss fight and quick cameo respectively.
Gameplay is fast and frantic, just like a Kingdom Hearts game should be, with a new way of using special moves. In previous games, the Command Board was used to select anything you had that was available to you, with lots of unwanted spells, items and whatnot taking up space and wasting time. In this game, X is always "Attack" (unless it's "Save"), with triangle being used to select the command needed from a set of at max eight commands. While this sounds restrictive, it's really not. There is no MP bar, so you can use every command to your heart's content... as long as it's recharged. I myself only really used Curaga and Thundaga in all of my Command Decks, with additional commands to activate certain Command Styles. What are those you may ask? Command Styles are one of three new additions to Kingdom Hearts combat present in Birth By Sleep. You see, up above your Command Board is a Command Bar, and when that fills up, one of two things happen: if you haven't done anything special, a regular finishing attack will replace your Attack command and you'll deal more damage, or if you do something a bit different, like use a Thunder command of some sort while it's charging, you'll go into a Thunder-themed Command Style, which gives all of your attacks a Thunder damage modifier to them, so long as the Command Bar is still filling up. This along with the D-Links that allow you to use moves relating to characters you meet like Cinderella, Stitch (here still called Experiment 626), and Zack from FF VII, make combat a fun and hectic experience that rivals console gaming experiences. The one new thing in this game that seems like a waste is the Combat Lock. By pressing down both triggers, it sends you into a first person view and lets you lock onto several enemies before allowing you to unleash a mindblowing attack. The problem is this feels so distanced from the way all other combat works, because for it to be effective, you need to be far from your opponent, when all other battle techniques call for you to be close. It's awkward and I myself only used it to see what the new ones looked like.
Now, not so much a combat feature, but a new way to build your character is by merging commands to make new ones. Sure, you can buy your commands from a Moogle Shop, or find them in chests, but the best way to maximize your capabilities is to experiment with what goes with what to what end. In order to combine commands, they must be fully leveled, which comes from battles, and then they must be compatible with at least one of the other fully leveled commands you have. From there you mash the two together and have the opportunity to add in a crystal of some sort. This is where your passive abilities come in. Where as in other Kingdom Hearts games, you learned abilities as you leveled up, and then assigned them based on your ability points, this game gives you abilities that are associated with what new command you have and what crystal you attached to it. Like attaching one kind of crystal to your new Fira may give you a boost in fire damage, but if you were to choose a different one it may have your Magic commands charge back up faster. Each crystal has labeled on it a general idea of what ability you'll attach to this particular command, so it's not wild guessing, but still gives you a bit of anticipation to see if that third Jackpot you need will be there or will it be another useless Item Boost. And once you fully level a command with an ability, the ability is yours to keep, no matter what happens to the original command.
Actually, the more I think about it, the more this reminds me of a certain other PSP game Square Enix made that was a prequel about a guy with a weird cowlick where you combined different spells together to get new ones... you know, the one that was terribly mediocre and served no purpose other than fan service? For those of you who have absolutely no idea what I'm talking about, Final Fantasy VII: Crisis Core was a game for the PSP by Square Enix that- Oh, I'm not going to say it again. Birth By Sleep feels like it was Crisis Core done right. The game still felt like the game it was following, the controls were given a much needed revamp, and it had a story actually worth paying attention to. Ultimately, this is almost an apology for Zack Fair's romp, and hell, he's even in this game for a short time and one of the best D-Links to use!
Now, I'm not going to say this is a perfect game. The "new" enemies are almost exactly the same as the Heartless gameplay wise. The Unversed as they're called, are deep blue angular versions of our favorite misnamed enemies. (The Heartless have hearts, for those who didn't know) This isn't a bad thing, but just feels like an excuse. I mean, the things are supposed to be the manifestations of our discomfort in our current surroundings, and it turns out to all come from one guy. One guy! The Heartless were something that could turn anyone, it was a universal plague brought on by our greed, hate, and other such emotions. The Unversed have the same perforation and it's all because of one guy that doesn't like his place in the universe.
And while there are a lot of great performances throughout the game by the cast, two stand out as not really giving their all: Terra and Aqua. Now, while Terra you can blame on his brooding confused nature, Aqua sounds like she's going to fall asleep at any second. I know I was when I heard her talking. Thankfully, Mark Hammil and Leonard Nemoy steal the show as Masters Eraquis and Xehanort, the latter of both going on my top list of villain performances. He's not deliciously evil or sympathetically evil, but when you hear Spock's gravelly voice paired with the character's signature hand movement, you know this is not a good guy. What really surprised me was that Jesse McCartney was not that bad in this game. I really don't like Roxas after he wasted three hours of my life in the intro of Kingdom Hearts II, but here, McCartney gives us a high spirited kid surrounded by trouble. Which is very similar to our regular protagonist, Sora, but different enough that you don't care about the similarities.
The only problem with actually picking this game up is that this is not available on the PSN store, presumably for storage space reasons. This means those who own a PSP Go cannot play this game, and quite a few people have been angered by this. Oh well. Sony is just screwing themselves over once more with this.
All in all, this game is great. A balanced combat system, an interesting story, and actual plot development towards the series' future gives this game a head-up on others in a similar vein. If you've never played Kingdom Hearts before, this is a good place to start. While starting with my personal favorite, the first one, is preferred, and there are a lot of little cameos and little "see? this is how this happened" moments, they aren't enough to bog down the game or make it inaccessible to newcomers. There's not really any replay value for playing all three campaigns and the secret ending again, but with over 60 hours of gameplay, this is a must have for any PSP owner.
8/10
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